Unable to get investors for his blockchain startup, Yin partners with a ruthless capitalist named Hsu Ching-and must balance his idealism with commercial realities.Ĭryptocurrencies and blockchain aren’t new to Asian cinema (see Vietnam’s Bitcoin Heist).
FILM BIOSKOP 2019 MOVIE
The movie centers on a young entrepreneur named Yin Tzu-hsiang, who aspires to make the world a more equitable place through decentralized blockchain technology (think Bitcoin). I think I always will be.Original Title: 聖人大盜 | Director: Jack Hsu | Starring: Megan Lai, Yen Tsao, Joanne Tseng, Eric Tsang | Genre: Drama, Thrillerīilled as a “ blockchain corporate warfare” movie, The Last Thieves has the most unique concept of any film on this list.
FILM BIOSKOP 2019 SERIES
That “Nightmare Cinema” fails to pay off as often as it does is a disappointment, but I’m undaunted in my love of the anthology series gamble. For every “The Thing in the Woods,” you risk a “Dead.” It’s a gamble every time, and there’s something charming and fun about rolling the dice on a new project every 20 minutes.
FILM BIOSKOP 2019 TV
That’s just the risk you take with anthology TV series or films. It ends this ambitious project on such a bad note. Guess what he can do now? Poorly made in every single department, “Dead” is as sloppy and inept a piece of filmmaking that I’ve seen this year. The boy survives, but he was dead for 17 minutes. A boy and his parents are shot and left for dead. Reaser is strong but this one feels like a cheap exploitation of mental illness and the non-ending doesn’t work in an anthology film like this one.Īll of this leads to the dismal “Dead,” from Garris, a hideous little slice of “I see dead people” horror that simply doesn’t work on any level. The demonic faces she sees on people around her are a sign that she is. The black-and-white chapter stars Elisabeth Reaser of “The Haunting of Hill House” as a woman who goes to see a doctor as she fears she may be going insane. It’s the kind of hallucinatory piece that might have worked as an episode of a series-as Garris originally conceived “Nightmare Cinema”-but doesn’t coalesce with the rest of this film. At least this one has a shocking image or two to jolt it back every now and then, but around here is when I started to question my love of anthology films.ĭavid Slade’s “This Way to Egress” is way more ambitious but still feels like a misfire. Just like in his awful “Downrange,” the dialogue scenes are downright incompetently written, directed, and filmed. The stylistic flourishes that once defined Kitamura’s best work (seek out “Versus” if you get the chance) have now dominated so completely that the connective tissue between gory kills in his films has become increasingly intolerable. Mostly, it lacks that Dante energy that defines his best work.Įnergy returns in “Mashit,” from the director of “Midnight Meat Train,” but that’s the nicest thing I can say about it.
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The acting here is oddly uninspired beyond the clever casting of Richard Chamberlain as a devious plastic surgeon.
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A young woman decides to get a touch-up to make her fiancé happy before the wedding.
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Like a cousin of Rod Serling’s “Eye of the Beholder,” “Mirare” features plastic surgery gone very awry. The idea is strong and allows Dante to play with his inspirations like “The Twilight Zone” and the anthology fiction of his youth. Like a lot of “Nightmare Cinema” it feels like it was rushed in production, leading to a lot of single takes and shoddy editing decisions.
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And it gets more inspired and insane as it goes along, arguably piling on one lunatic twist too many, but it’s still a heck of a lot of fun, which is a feeling that will dissipate shortly.ĭante’s “Mirare” follows and it’s an intriguing misfire. There’s a woman covered in blood and a weapon-wielding manic known as The Welder. Avoiding the build-up structure of most short films, he just drops us into the climax of a crazy horror movie. The first short film is “The Thing in the Woods” by “Juan of the Dead” director Brugués and it’s almost great. A creepy old projectionist in a rundown theater showing people short films that reflect their anxieties and fears is a legitimately great idea for a wraparound in an anthology series, but it’s completely lacking in atmosphere or dread here, as, well, Garris isn’t very good at either. Like a lot of “Nightmare Cinema,” this is a great idea that feels half-hearted in its execution. The connective tissue in “Nightmare Cinema,” also directed by Garris, is called “The Projectionist” and stars Mickey Rourke as the title character, someone who shows people their darkest fears in an empty old movie palace.